精品推荐—朱可心紫砂壶,古钱币
钱祥芬紫砂作品赏析
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复制微信号钱祥芬 研究员级高级工艺美术师(正高) 中国民主同盟盟员 中国陶瓷工业协会会员 中国工艺美术学会会员 中国当代最具收藏价值的陶艺家 中国紫砂文化研究院常务理事 全国工商联紫砂文化研究会理事 江苏省陶瓷行业协会会员 青岛大学物理学院特聘教授 南京师范大
朱可心:(1904~1986)出生于宜兴市丁蜀镇。原名开张,学名凯长,后改名"可心",寓意"虚心者,可师也","山中一杯水,可清天地心"之意。宜兴紫砂名艺人,花货巨匠,一代宗师,紫砂壶制作大师、著名陶瓷艺人、毕业于中央美术学院。
14岁时拜汪生义为师,与吴根云结为师友。1931年受聘于江苏省立宜兴陶瓷职业学校窑业科技工,此间创作紫砂咖啡具。次年,精心制作云龙鼎和竹节鼎参加美国芝加哥博览会,并荣获“特级优奖”,1953年12月“全国民间艺人观摩大会”携作品云龙壶、圆松竹梅壶参展。1954年受命组建宜兴蜀山陶业生产合作社,为宜兴紫砂工艺厂创始人之一,1956年被江苏省政府任命为技术辅导,先后授艺带徒数十人,名艺人有李芹仙、汪寅仙、李碧芳、潘春芳、许成权、范洪泉、谢曼伦、曹婉芬、王小龙、高丽君、倪顺生等,1957年参加全国民间艺人代表大会,1959年他费时4个多月精心仿制南京博物院珍藏圣思创作旺盛期,设计制作了如意壶、云玉壶、高峰咖啡具,迎宾酒具、万寿壶、碗梅壶,可心梨式壶等,许多式样成为紫砂工艺陶畅销产品;同年年他以合作社代表的身份参加北京故宫博物院举办的世界陶瓷展览。其作品松鼠葡萄壶、松竹梅三友壶被选入“中国工艺美术巡回展”出国展出,并获一等奖。1964年他精心仿制陈鸣远包袱壶,达到紫砂技艺炉火纯青的地步。
藏品介绍
中文名称:朱可心紫砂壶
英文名称:Zhu Kexin purple clay pot
规格:一枚
类别:杂项
品相:美品
朱可心开创一种壶式,多种装潢的伎俩,深受中外人士的欢送。七十年代初期,仍然不知疲倦地从事紫砂陶创作,前后设计制造了《色柿子壶》、《彩蝶壶》、《高壶》、《报春壶》、《劲松壶》、《翠松壶》。1973年,开创一种壶形,多种装潢跟新情势,在状如心外形壶上,分;别雕青松,翠松,冷梅,古柏,碧桃等装潢,深受中外人士欢送。精心制造的《可心梨式壶》被国务院定为赠日本首相中角荣的国度礼品。1978年评为工艺美术师,先后担负江苏省文聊委员,宜兴政协常委等职。1978年在上海举办的“全国陶瓷美术创作设计”会议。1985年10月上海电视台拍摄电视片,其制造了《仿古壶》,后又制造生前最后一件作品《汉扁壶》。朱可心是一位始终进取的艺人,作品多弥漫时代气味。壶艺风格浑厚浑厚,法度合宜,善于从天然及生活中汲取创作灵感跟素材。
壶底落款规整,篆书款,朱可心制,底足规整,这把壶时间时间漫长,表面茶泡包浆,凹陷处呈现黑色,年代感十足。
壶盖有款,十分圆整,盖上后严丝合缝,工艺十分的高超。
这把紫砂壶造型十分奇特,龙尾为柄,龙首为壶嘴,壶盖坐一狮钮,满身阳刻缠枝花卉纹,触摸凹凸感很强,且手感光滑,没有拉手的情况,电视剧‘黄金瞳’里就有一个情节,主角与店家下一个赌注,只要看出店里最贵的藏品就算赢,最后就是店家手上把玩的一把朱可心紫砂壶,电视剧里描述好几百万,剧中的紫砂壶是一般光壶,没有任何工艺,相比之下,这把壶造型优美,品相完美,紫砂壶很难做精细的雕工,能有这种工艺,简直不可想象,正可谓是千金易得,一宝难求的宝壶。
丙午年(1906年)户部大清铜币鄂字版当制钱十文
大清铜币铸造始于1900年,也就是清光绪二十六年,但由于各省铸行铜元毫无节制,于是,在1905年也就是光绪三十一年,清政府在天津设立的户部造币总厂开始铸造新式铜元“大清铜币”。主要目的是为了整顿和统一币制,试图将铸币权收归国有,加强控制。
铸造始于1900年(清光绪二十六年),止于1911年(宣统三年),流通时间较短。因其版面设计优雅,雕刻精良,且存世量极为稀少,大清铜币光绪年户部造当十被誉为中国近代制币中的十大名誉品之一。
藏品介绍
中文名称:户部大清铜币鄂字版当制钱十文,光绪年造铜币
英文名称:Ministry of the qing dynasty copper COINS e - word version when making money ten, Guangxu year copper COINS
类别:杂项
规格:二枚
品相:美品
此钱币品相完美,钱币正面珠圈内钤有“大清铜币”四字,币心凸起处能看出有一阴刻鄂字,乃是湖北省的简称,仅限在湖北省内使用,因此极为稀少;珠圈外上环满文,满文左右有干支纪年“丙午”字样,左右分列“户部”二字,注明由此币的发行部门;下环覆满包浆,但仍可看出其币值“当制钱十文”字样。 钱币背面中央为部颁大清龙图案,表现出了当时的国际政治、经济、文化的交融,极具历史意义。 是集收藏与投资于一身的难能可贵的精品!
此钱币为“鄂”字版户部大清铜币。钱币背面中央为蟠龙,上端为英文“Tai-Ching Ti-Kuo Copper Coin”字样(大清帝国铜币)。火龙版:背面可以看见像山字一样的火焰纹,火龙在钱币中还是很少见的,一般水龙会多见,上下数千年,龙已渗透了中国社会的各个方面,成为一种文化的凝聚和积淀。龙成了中国的象征、中华民族的象征、中国文化的象征。对每一个炎黄子孙来说,龙的形象是一种符号、一种意绪、一种血肉相联的情感。“龙的子孙”、“龙的传人”这些称谓,常令我们激动、奋发、自豪。在中国,收藏家极其喜欢龙纹钱币,因为民间传说,“大清铜币”背面的龙能增加一个人的气运,使其时刻在龙气的保护下,趋吉避凶,此钱币品相完美,包浆自然,底光柔和,是不可多得的稀有钱币,具有极大的历史研究价值以及经济收藏价值。
光绪年造铜币:龙纹栩栩如生,中国龙被视为神物予以崇拜。“龙图是中国人的图腾,中国历代的君皇及皇族子孙被称为龙子,龙孙。龙的形象在皇室用品上被专有使用。据史书记载早在汉武帝时期的“白金三品",就铸有“龙〃的图形;其后的宋元明代,已有少部分流通币上铸有龙纹。特别是在历代花钱上,龙的图形则更多。清代未期光绪、宣统年间,官铸的金、银、铜元,其背面更是大多铸有龙图。据不完全统计,清代银币上的“龙"币图案约有近千种版别。这些龙更是千变万化,这枚钱币为坐龙,周边吉祥云,给人腾云驾雾,君临天下之感,古代只有皇室能自称为真龙天子,龙也象征着君王。
这二枚钱币包浆自然,底光柔和,所谓包浆是自然形成的氧化层,也有认为手盘包浆,两者不同,但同时都有保护钱币的功能,有如给钱币镀上一层保护膜,是钱币不再氧化,便于收藏传世,如果觉得钱币脏,可以用清水洗,再用棉布擦干,不要破坏包浆,破坏了包浆就相当于破坏了保护层,更重要的是包浆是鉴定新老钱币最简单有效的方法。细看这二枚钱币品相完美,没有磕缺,损毁,变形等是不可多的收藏级铜币,建议收藏,传世。
周元通宝是五代十国货币,始铸于周世宗显德二年(公元955年)。世宗显德二年(955)始铸。仿唐“开元通宝”钱制铸钱,名“周元通宝”。铜质小平,隶书对读。“元”字第二笔左挑,背有月纹、星纹或星月纹。星纹或左、右或上、下,月纹不常其处,或上或下或左或右,或穿之一角。每钱背月似为八卦方位之一。因此说月纹与阴阳五行、新生、日初上有密切关系。毁佛寺3336所,取铜像铸钱。种类很多,形制精美,有星月或龙凤等背纹。
周世宗柴荣继位后,为筹措军饷,安抚百姓,于登基之初下令毁佛,将佛寺中的铜像销毁,铸成“周元通宝”。作为毁佛钱的一种,周元通宝在中国钱币史和宗教发展史上都产生过深远而重大的影响。
藏品介绍
中文名称:周元通宝戏犬罗汉花钱
英文名称:Zhou Yuan tong Treasure show dog Arhat spend money
类别:杂项
规格:一枚
品相:美品
方器实力派——丁旭升紫砂作品赏析
丁旭升 国家级工艺美术师 方器名家 紫砂优秀传承人 中国非物质文化遗产传承人 高级非遗(紫砂)技艺传承师 六六大顺 1975年生于紫砂发源地——金沙寺边,师承江苏省工艺美术大师、省陶瓷大师,研究员级高工艺师,江苏省工艺美术名人——周尊严。作品以素器方
此枚“周元通宝”钱币正面印刻着“周元通宝”四字直读,字迹清晰,苍劲有力。观其铸体,铸制规整,边圆廓正,坦平地章,穿缘廓干净,优良铸工,更显字廓深竣挺拔,精整有加。品赏其钱文,可见咸丰重宝之特有字体端美亮眼,十分耐赏!
此币背面铸“戏犬罗汉”图案,整体币面造型较为分明,古铜色圆型钱币,中间穿正方形孔,在日光的照射下更散发出熠熠光辉。咸丰重宝身份极为尊贵,是众多钱币收藏爱好者及研究专家的所爱之品,因而也展现出极佳的市场收藏价值。
周元通宝是五代十国时期后周的钱币,也是公认的五代钱币中做工较为精美的钱币。周元通宝用佛铜铸造,辟邪效果好,民间有些偏方还将其入药以用治病。周元通宝是国号钱,也是毁佛钱。史书记载:显德二年(955年),周世宗毁佛铸”周元通宝“钱,臣下有人不赞成,周世宗以理训示臣下说:“吾闻佛说以身世为妄,而以利人为急,使其真身尚在,苟利于世,犹欲割截,况此铜像,岂有所惜哉!”群臣皆不敢言。世宗废天下佛寺三千三百三十六所,毁寺庙铜像铸成周元通宝,并派臣赴高丽购铜,禁止人民藏铜。
最早的厌胜钱出现在汉代,用钱来“厌祟”是因为它能“厌胜”。这不是绕口令。大约从汉代起,开始出现一种类似原始宗教的形式,叫作“厌胜”,也叫“压胜”,即“厌而胜之”,是用法术诅咒或祈祷以达到压服人、物或鬼怪的目的。用作厌胜的物品有很多,但若论用作厌胜品数量大、种类多的,还是要数钱币。而周元通宝由于是佛铜所铸,具有特殊意义,故民间私铸的非流通的厌胜钱颇多,甚至多于行用钱。上至宋初,下至现代,周元通宝均有厌胜钱铸造。这些厌胜钱的背面经常有龙凤,星斗,日月和吉语,用来表达辟邪趋吉的愿望,或者说是希望借钱的“神力”实现自己的愿望。它们也具有一定的收藏价值。
英文翻译:Zhu Kexin (1904~1986) was born in Dingshu Town, Yixing City. Formerly known as Kaizhang, scientific name Kaichang, later renamed "can", meaning "open-minded, but also teachers", "mountain a cup of water, can clear the heart of heaven and earth" meaning. Yixing zisha artist, flower goods giant, the grandmaster, zisha pot making master, famous ceramic artist, graduated from the Central Academy of Fine Arts.
At the age of 14, he became his teacher and friend to Wu Genyun. 1931 employed in Jiangsu Liyixing ceramic vocational school kiln industry science and technology, where the creation of purple sand coffee set. In the following year, the cloud Dragon Tripod and bamboo tripod were carefully made and participated in The Chicago Fair of the United States, and won the "Excellent Award". In December 1953, the "National Folk Artists Observation Conference" took part in the exhibition with their works. Was formed in 1954, yixing of shushan contented industry production cooperatives, as one of the founders of yixing purple sand craft factory, appointed by the government of jiangsu province for the 1956 technical guidance, successively awarded arts DaiTu, dozens of artists have Li Qinxian, Wang Yinxian, bi-fang lee, Pan Chunfang, Xu Chengquan, Fan Hongquan, Xie Manlun, Cao Wanfen, dragon, Korea jun, NiShunSheng etc., to participate in the national folk artists congress in 1957, 1959, he took more than 4 months meticulously copied nanjing museum collection st, apparent, design the best coffee pot, cloud okho, rush hours, yingbin wine mei pot, flower pot, bowl, Can heart pear type pot, many styles become the purple clay craft pottery best-selling products; In the same year, he participated in the World Ceramics Exhibition held by the Palace Museum in Beijing as a representative of the cooperative. His works "Squirrel grape pot" and "Three Friends of Pine bamboo and plum" were selected to be exhibited abroad in the "China Arts and Crafts Exhibition Tour" and won the first prize. In 1964, he elaborately imitated Chen Mingyuan's burden pot and reached the acme of perfection in purple sand technology.
The collection is introduced
Chinese name: Zhu Kexin purple clay pot
Zhu Kexin Purple Clay Pot
Specification: one coin
Category: Miscellaneous
Appearance: Beautiful
Zhu Kexin created a pot style, a variety of decoration tricks, by Chinese and foreign people send-off. In the early 1970s, he was still working tirelessly on the creation of zisha pottery, designing and producing the Color Persimmon pot, The Color Butterfly Pot, the High Pot, the Primrose Pot, the Strong pine pot and the Emerald pine pot. In 1973, a new type of pot was created, with a variety of decorations and a new form. Don't carve green pine, emerald pine, cold plum, ancient cypress, peach and other decoration, by Chinese and foreign people send off. The carefully crafted Kexin pear pot was chosen by the State Council as a national gift to Japanese Prime Minister Nakagawa. In 1978, he was selected as the arts and Crafts artist. He was successively appointed as the member of Jiangsu Provincial Committee of Literature and Art and member of Yixing CPPCC Standing Committee. National Ceramic Art Creation and Design Conference held in Shanghai in 1978. In October 1985, Shanghai TV station shot a TV film and produced the archaize Pot. Later, it produced the last work Han Bian Pot. Zhu Kexin is a progressive artist, works more diffuse the smell of The Times. The style of pot art is vigorous, and the law is appropriate. He is good at drawing inspiration and materials from nature and life.
The bottom of the pot is neatly sealed, the bottom of the pot is neatly made by Zhu Kxin. This pot has a long time, the surface of the tea bubble is wrapped with pulp, and the depression appears black with a sense of age.
The pot cover is very round and full of money. After it is closed, the workmanship is superb.
This recommended modelling is very strange, beaten to handle, dragon for the spout, take a lion button, the lid with Yang carved flowers around branches, touch AoTuGan is very strong, and feel is smooth, without handle, in the drama "golden circle" has a plot, character and the store the next bet, as long as see most expensive collection wins in the store, the last is the store hand play a zhu can are recommended, in the TV series describes several million, the recommended of the play is generally light pot, without any process, by contrast, this pot of elegant, quality perfect, recommended is hard to make fine carver, can have this kind of process, is just too hard to imagine, It can be said that a thousand gold is easy to get, a treasure is hard to find treasure pot.
In the third meridian (1906), the Ministry of Household affairs made ten COINS in the form of COINS and COINS
The casting of copper COINS in the Qing Dynasty began in 1900, that is, in the 26th year of the Reign of Emperor Guangxu of the Qing Dynasty. However, due to the unrestraint in the casting of copper COINS in all provinces, in 1905, that is, in the 31st year of the Reign of Emperor Guangxu, the ministry of Housing coinage factory set up by the Qing government in Tianjin began to cast the new type of copper COINS, "Qing copper COINS". The main purpose is to rectify and unify the currency system, trying to nationalize coinage rights and strengthen control.
Casting began in 1900 (guangxu 26 years of the Qing Dynasty) and ended in 1911 (Xuantong 3 years), circulation time is relatively short. Because of its elegant layout design, fine carving, and rare in the world, the Guangxu Copper COINS of the Qing Dynasty were honored as one of the ten most prestigious COINS in modern China.
The collection is introduced
Chinese name: The ministry of accounts of the Qing Dynasty copper COINS and the e version when the ten COINS, guangxu year copper COINS
E-word version of Ministry of the Qing Dynasty copper COINS when making money ten, Guangxu year copper COINS
Category: Miscellaneous
Specification: two pieces
Appearance: Beautiful
It is a perfect coin with "Qing copper coin" on its front ring and a Yin inscription on the convex part of its heart. It is the abbreviation of Hubei Province and is only used in Hubei province, so it is very rare. The outer ring of the pearl ring is manchu, manchu around the gan Zhi Ji year "C wu", the left and right of the "household department", indicating the issuing department of the currency; The lower ring is covered with pulp, but you can still see its value "when making money ten words". On the back of the coin, the ministry issued the dragon design of the Qing Dynasty in the center, showing the integration of international politics, economy and culture at that time, which is of great historical significance. Is a collection and investment in a valuable boutique!
This coin is qing copper coin with the character "E". Coin back center is flat dragon, upper end is English "Tai-ching Ti-Kuo Copper Coin" words (Qing Empire Copper Coin). Fire dragon version: on the back, you can see the flame pattern like mountain character. Fire dragon is very rare in COINS. Generally, water dragon is more common. The dragon has become the symbol of China, the symbol of the Chinese nation, the symbol of Chinese culture. For every Chinese descendant, the image of the dragon is a symbol, a kind of mood, a kind of emotion connected by flesh and blood. "Descendants of the Dragon", "Descendants of the Dragon" these titles, often make us excited, vigorous, proud. Dragon coin collector in China, very like, because of folklore, "qing coppers" on the back of the dragon can increase a person's fate, the time on the dragon under the protection of gas,, and avoid the coin is in perfect, patina natural and downy light, is rare rare coin, the history of great research value and economic value for collection.
Making copper COINS in the Year of Guangxu Emperor: The dragon pattern is vivid, and the Chinese dragon is worshipped as a god. "The Dragon Chart is a totem of the Chinese people. The emperors and their descendants in the past dynasties were called dragon sons and Dragon sons. The image of the dragon was used exclusively for royal use. According to historical records, as early as in the Period of Emperor Wudi of the Han Dynasty, "Platinum three products ", there is" dragon "cast graphics; Later in the Song, Yuan and Ming Dynasties, a small number of circulating COINS were cast with dragon patterns. Especially in the past on the money, dragon figures are more. During the reign of Emperor Guangxu and Emperor Xuantong in the qing Dynasty, most of the gold, silver and copper COINS cast by the emperor guan had dragon figures on the back. According to incomplete statistics, there are about a thousand patterns of dragon COINS on the qing dynasty silver COINS. These dragons come in all shapes and forms. This coin is named "Sitting Dragon", with auspicious clouds around it, giving people the feeling that they are sovereign of the world. In ancient times, only the royal family could call themselves the real dragon and the son of Heaven.
End of the second coin patina nature, light is downy, so-called wrapped slurry is a natural formation of the oxide layer, there are also think hands wrapped slurry, the two different, but at the same time have to protect the function of money, like to coin a layer of protective film on the plating, is money no longer oxidation, facilitate collection handed down from ancient times, if feel money is dirty, can wash, reoccupy cloth wipe, do not destroy the wrapped slurry, destroyed the wrapped slurry is equivalent to destroy the protective layer, more important is the wrapped slurry is the most simple and effective method for identification of new and old COINS. Look closely at these two COINS perfect phase, there is no knock, damage, deformation and so on is not much collection grade copper COINS, Suggestions for collection, handed down.
Zhou Yuan Tong Bao is the currency of the five Dynasties and ten Kingdoms, which was cast in the second year of Xiande (955 AD) of Zhou Shizong. Shizong Xiande two years (955) cast. After the Tang dynasty "Kaiyuan Tong Bao" money made of money, the name "Zhou Yuan Tong Bao". Little bronze, official script to read. The second stroke of the character "yuan" is carried on the left side, with moon, star or star patterns on the back. Star grain or left, right or up, down, moon grain not often its place, or up or down or left or right, or wear a corner. Every money back month seems to be one of the eight - gossip azimuth. Therefore, the moon grain and Yin and Yang, five elements, new birth, the early sun has a close relationship. Destroy 3,336 Buddhist temples and withdraw bronze COINS. There are many kinds, the shape is exquisite, have the star moon or dragon and phoenix and so on the back grain.
When Chai Rong, the Emperor of The Zhou Dynasty, ascended the throne, he ordered the destruction of the Buddhas at the beginning of his reign in order to raise military salaries and appease the people. As a kind of destroying Buddha money, Zhou Yuan Tong Bao had a profound and significant influence on the history of Chinese coin and religion.
The collection is introduced
Chinese name: Zhou Yuan tong Treasure show dog Arhat spend money
Zhou Yuan Tong Treasure Show Dog Arhat spend money
Category: Miscellaneous
Specification: two pieces
Appearance: Beautiful
This coin "Zhou Yuan Tong Bao" engraved on the front "Zhou Yuan Tong Bao" four words read, the handwriting is clear, vigorous and powerful. Looking at the casting body, the casting is regular, the edge is round and straight, the flat and flat, the crossing edge is clean, and the excellent caster makes the character outline more profound and clear and neat. Appreciate its money text, see xianfeng heavy treasure of the unique font end beauty bright eye, very tolerant to appreciate!
The coin has a pattern of "playing dog arhat" on the back. The overall shape of the coin is quite distinct. It is a round bronze coin with square holes in the middle. Xianfeng treasure identity is very noble, is the many COINS collection lovers and research experts love the product, thus also shows the excellent market collection value.
Zhou Yuan Tong Bao is the coin of the later Zhou dynasty in the Five Dynasties and ten Kingdoms period. It is also recognized as the exquisite coin of the five Dynasties. Zhou Yuan Tong Bao with Buddha copper casting, exorcism effect is good, some folk remedies will also put it into medicine to cure. Zhou Yuan Tong Bao is the national title of money, but also destroyed The Buddha money. Historical records: in the second year of Xiongde (955), The Emperor Shizong of The Zhou Dynasty destroyed the Buddha and made "Zhou Yuan Tong Bao". Some of his officials disagreed. The Emperor Shizong of the Zhou Dynasty instructed his officials, saying, "I have heard that the Buddha said it is wrong to take one's life as one's own. The ministers were afraid to speak. He destroyed 3,336 Buddhist temples around the world, destroyed bronze statues of temples and turned them into treasures of the Zhou Dynasty. He also sent officials to Koryo to buy copper and prohibited people from hiding it.
The earliest yuesheng money appeared in the Han Dynasty. The reason for using money is that it can be "yuesheng". This is not a tongue twister. Around the Han Dynasty, a form similar to the primitive religion began to appear. It was called "Yu-sheng" or "Pi-sheng" or "Yu-sheng", and it was used to curse or pray for the purpose of subduing people, objects or ghosts. There are many objects used for disgust, but if the number of objects used for disgust is large and the variety is large, it is still necessary to count COINS. As it is made of Buddha copper, The Zhou Yuan Tong Bao is of special significance. Therefore, the non-circulating money produced by private people is quite a lot, and even more than the money used by people. Up to the early Song Dynasty, down to the modern, Zhou Yuan Tong Bao are bored shengqian casting. The back of these money often has dragon, phoenix, star, sun and moon and auspicious words, which are used to express the desire to ward off evil spirits and bring good luck, or the "magic power" of wanting to borrow money to realize one's wish. They also have some collectible value.
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匠心艺踪——储峰紫砂原创作品
储峰 储峰 高级工艺美术师 江苏省工艺美术协会会员 字玄山,1970年生于江苏宜兴,1986年考入宜兴陶瓷职业技术学校。期间,系统接受了美术课程及陶瓷设计的美学理论教育。同时经中央工艺美术学院培训和南艺吴山教授的指导,奠定了创新作品的坚实基础。1988年进
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